The Self-Commission: How Britain's Creatives Are Reclaiming the Work That Actually Matters
Italy's great masters had a quiet habit the art history books rarely mention — setting aside a slice of every paid commission to fund work made purely for themselves. It was neither indulgence nor rebellion; it was professional survival. Now, a growing number of British illustrators, ceramicists, and designers are reviving the practice, and the results are reshaping not just their portfolios but their entire relationship with making.